Press & Pigment

Est. 1998 · Printed by hand

Ink pressed
into paper,
one sheet at a time.

An antique iron letterpress with fresh ink on its rollers

The 1902 Golding Jobber, still in service

We print posters, stationery and small editions on three antique presses. Every sheet is set, inked and fed by hand in our Haifa workshop.

Commission a print

Selected work

A rotating selection from the studio floor. Filter by what the press was fed that week.

A bold red letterpress concert poster drying on a rack

Ink & Paper Posters

Two-color jazz series, 120 sheets, wood type from the 1950s.

A deeply embossed wedding invitation on thick cotton paper

Cotton Invitations

Deep-impression invitations on 600gsm cotton, edge-painted by hand.

A black woodtype poster with dense typographic composition

Woodtype Broadsides

One-night editions set entirely from the studio's woodtype drawers.

A stack of thick letterpress business cards with colored edges

Studio Cards

Duplexed card stock, blind deboss front, one color back.

Three presses,
one obsession.

1902 Golding Jobber

Platen press for cards and invitations. Ten tons of cast iron.

1938 Vandercook

Cylinder proof press for posters and broadsides up to 60cm.

1965 Heidelberg

The windmill. Foil, deboss and die-cutting at speed.

Voices from the studio book

"The invitations came out deeper and sharper than anything digital could do. Guests kept the envelopes."

Noa & Daniel, Tel Aviv

"Our poster run sold out at the venue. The ink sits IN the paper — you can feel every letter."

Mira, Concert Promoter

"They let me set my own type for an afternoon. Best workshop I've taken in years."

Avi, Workshop Guest

Commission the press

Tell us what you want printed. We answer within two working days, usually with ink under our fingernails.

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